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Book of Hours according to the custom of the Roman Church
Mid 15th century
Before the Calendar is the owner’s coat of arms, the initials “N I” next to a blue escutcheon in front of a crozier. The Annunciation is depicted at the start of the Hours of the Virgin, the Crucifixion at the start of the Hours of the Cross, and David Praying for the Penitential Psalms. Following the Litany and the Office of the Dead, the Book of Hours closes with the commemoratio sce Marie Magdalene, clearly a special wish on the part of the client. Stylistically, the manuscript is similar to another Book of Hours in the collection of the Museum Angewandte Kunst (L.M.26), although the figures are compacter, which is nevertheless common in eastern French illuminations of this time.
Title
Book of Hours according to the custom of the Roman Church
Date
Mid 15th century (Production)
Geographical reference
Place of production: Eastern France
Material / Technique
Manuscript on parchment, 146 fols. 120 x 90 mm, written area 61 x 42 mm, single-columned with fourteen lines, text in Textura in brown and red (headings) ink, four miniatures framed with borders, decorated initials against a gold ground; brown marbled calfskin binding, eighteenth century with gold embossing
Dimensions
Overall:
12,5 x 9 x 3 cm
Sheet dimensions:
120 x 90 mm
Object type
Books of hours
Illuminated manuscripts
Collection
Inventory number
L.M.50
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Bequest; 30.11.1923;
Included in these topics
- Key: 06847f4b-6e9b-47e5-9ed2-ae8f0c57cbd8
- Module_ref: collection
- Create_date: 2008-08-10T22:00:00Z
- Change_date: 2025-03-11T23:00:00Z
- Sync_date: 2025-04-05T18:30:34Z
- Container_S: Buchkunst und Grafik
- SimpleSearch: Buchkunst und Grafik,L.M.50,Herstellung | Production,Mid 15th century,Manuscript on parchment, 146 fols. 120 x 90 mm, written area 61 x 42 mm, single-columned with fourteen lines, text in Textura in brown and red (headings) ink, four miniatures framed with borders, decorated initials against a gold ground; brown marbled calfskin binding, eighteenth century with gold embossing,Liturgy, Miniature paintings, Script, Decorated initials, Figure representations, Crest, Christianity,Books of hours,Illuminated manuscripts,Book of Hours according to the custom of the Roman Church,Before the Calendar is the owner’s coat of arms, the initials “N I” next to a blue escutcheon in front of a crozier. The Annunciation is depicted at the start of the Hours of the Virgin, the Crucifixion at the start of the Hours of the Cross, and David Praying for the Penitential Psalms. Following the Litany and the Office of the Dead, the Book of Hours closes with the <em>commemoratio sce Marie Magdalene</em>, clearly a special wish on the part of the client. Stylistically, the manuscript is similar to another Book of Hours in the collection of the Museum Angewandte Kunst (L.M.26), although the figures are compacter, which is nevertheless common in eastern French illuminations of this time.,Doppelseite 2 des Stundenbuchs,Doppelseite 4 des Stundenbuchs,Doppelseite 14 des Stundenbuchs,Doppelseite 24 des Stundenbuchs,Doppelseite 66 des Stundenbuchs,Doppelseite 146 des Stundenbuchs,Vorderdeckel des Stundenbuchs,Vorsatz des Stundenbuchs
- SimpleSearch2: Buchkunst und Grafik,L.M.50,Herstellung | Production,Mid 15th century,Manuscript on parchment, 146 fols. 120 x 90 mm, written area 61 x 42 mm, single-columned with fourteen lines, text in Textura in brown and red (headings) ink, four miniatures framed with borders, decorated initials against a gold ground; brown marbled calfskin binding, eighteenth century with gold embossing,Liturgy, Miniature paintings, Script, Decorated initials, Figure representations, Crest, Christianity,Books of hours,Illuminated manuscripts,Book of Hours according to the custom of the Roman Church,Before the Calendar is the owner’s coat of arms, the initials “N I” next to a blue escutcheon in front of a crozier. The Annunciation is depicted at the start of the Hours of the Virgin, the Crucifixion at the start of the Hours of the Cross, and David Praying for the Penitential Psalms. Following the Litany and the Office of the Dead, the Book of Hours closes with the <em>commemoratio sce Marie Magdalene</em>, clearly a special wish on the part of the client. Stylistically, the manuscript is similar to another Book of Hours in the collection of the Museum Angewandte Kunst (L.M.26), although the figures are compacter, which is nevertheless common in eastern French illuminations of this time.,Doppelseite 2 des Stundenbuchs,Doppelseite 4 des Stundenbuchs,Doppelseite 14 des Stundenbuchs,Doppelseite 24 des Stundenbuchs,Doppelseite 66 des Stundenbuchs,Doppelseite 146 des Stundenbuchs,Vorderdeckel des Stundenbuchs,Vorsatz des Stundenbuchs
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- AcquisitionDate_S: 30.11.1923
- MainTitle_S: Book of Hours according to the custom of the Roman Church
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- DatingType_S: Herstellung | Production
- Dating_S: Mid 15th century
- Dating_S2: Mid 15th century
- YearFrom_I: 1440
- YearTo_I: 1460
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Book art and graphic design
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- MaterialTechnique_S: Manuscript on parchment, 146 fols. 120 x 90 mm, written area 61 x 42 mm, single-columned with fourteen lines, text in Textura in brown and red (headings) ink, four miniatures framed with borders, decorated initials against a gold ground; brown marbled calfskin binding, eighteenth century with gold embossing
- AcquisitionType_S: Bequest
- Keywords_S: Liturgy, Miniature paintings, Script, Decorated initials, Figure representations, Crest, Christianity
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- Materials_multi_facet_filter: Parchment;;Ink;;Gold
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- Texts_LongText_0_S: Before the Calendar is the owner’s coat of arms, the initials “N I” next to a blue escutcheon in front of a crozier. The Annunciation is depicted at the start of the Hours of the Virgin, the Crucifixion at the start of the Hours of the Cross, and David Praying for the Penitential Psalms. Following the Litany and the Office of the Dead, the Book of Hours closes with the <em>commemoratio sce Marie Magdalene</em>, clearly a special wish on the part of the client. Stylistically, the manuscript is similar to another Book of Hours in the collection of the Museum Angewandte Kunst (L.M.26), although the figures are compacter, which is nevertheless common in eastern French illuminations of this time.
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- Dimensions_Type_1_S: Blattmaß | Sheet dimensions
- Dimensions_Dimension_1_S: 120 x 90 mm
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- _version_: 1828588525068484600
- lists: [object Object]
