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Host pyxis
after 1250
This richly ornamented pyxis was probably used to store consecrated hosts (reliqua sacramenti), which in the Catholic faith represent the body of Christ. The liturgical copper vessel with a gold-plated interior can be closed and was probably kept in the tabernacle of a church. A knob with a cross crowns the conical hinged lid. On the lid and the blue-enameled cylindrical wall, gilded two- and four-leaf vine motifs alternate with the same number of round medallions. The medallions depict gilded and engraved busts of angels against a turquoise enamel background and on stylized yellow, red, and green clouds.
Pyxides from Limoges were first mentioned in written sources around 1220. They were produced in large quantities there, as evidenced by the many surviving examples. They are usually decorated in a similar manner featuring vines, flowers, stars, and lilies (see inv. no. Mu.St.80) or the Christ monogram “IHS.” The comparatively rare figurative imagery, however, lends this pyx a certain value as a rarity.
Title
Host pyxis
Date
after 1250 (Production)
Geographical reference
Place of production: Limoges
Material / Technique
Gilded copper, enamel (blue, white, red, turquoise), sunk enamel (champlevé), riveted base and walls
Dimensions
Overall:
10,7 × 9 × 6,7 cm
Object type
Collection
Inventory number
W.M.F5
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Acquisition; 07.06.1904; Collection Wilhelm Peter Metzler, Frankfurt am Main
- Key: 4b101be0-a117-4908-8966-c67ed82fbad3
- Module_ref: collection
- Create_date: 2008-08-13T22:00:00Z
- Change_date: 2025-07-02T22:00:00Z
- Sync_date: 2025-07-27T20:48:14Z
- Container_S: Europa bis 19.Jahrhundert
- InventoryNumber_S: W.M.F5
- InventoryNumber_S_sort: W.M.F5
- SimpleSearch: W.M.F5,after 1250,Gilded copper, enamel (blue, white, red, turquoise), sunk enamel (champlevé), riveted base and walls,Collection Wilhelm Peter Metzler, Frankfurt am Main,Angels (motif), Christianity, Liturgy, Gothic, Christian Mythology,Pyxes,Hostienpyxis,Host pyxis,Europe/France/Nouvelle-Aquitaine/Limoges,Europe;;France;;Nouvelle-Aquitaine;;Limoges,Copper,Gold,Enamel,Chasing,Champlevé,Engraving,This richly ornamented pyxis was probably used to store consecrated hosts (<em>reliqua sacramenti</em>), which in the Catholic faith represent the body of Christ. The liturgical copper vessel with a gold-plated interior can be closed and was probably kept in the tabernacle of a church. A knob with a cross crowns the conical hinged lid. On the lid and the blue-enameled cylindrical wall, gilded two- and four-leaf vine motifs alternate with the same number of round medallions. The medallions depict gilded and engraved busts of angels against a turquoise enamel background and on stylized yellow, red, and green clouds.<br class="linefeed" /><br class="linefeed" />Pyxides from Limoges were first mentioned in written sources around 1220. They were produced in large quantities there, as evidenced by the many surviving examples. They are usually decorated in a similar manner featuring vines, flowers, stars, and lilies (see inv. no. Mu.St.80) or the Christ monogram “IHS.” The comparatively rare figurative imagery, however, lends this pyx a certain value as a rarity.,Pyxis, emaillierte zylindrische Dose mit kegelförmigem Deckel, der von einem Kreuz bekrönt wird,Die Pyxis mit geöffnetem Deckel,Seitenansicht mit dem Verschluss nach links zeigend,Seitenansicht mit dem Verschluss nach hinten zeigend,Seitenansicht mit dem Verschluss nach rechts zeigend,Seitenansicht mit dem Verschluss nach vorne zeigend,Aufsicht auf den Deckel der Pyxis,Unterseite des Behälters
- SimpleSearch2: W.M.F5,after 1250,Gilded copper, enamel (blue, white, red, turquoise), sunk enamel (champlevé), riveted base and walls,Collection Wilhelm Peter Metzler, Frankfurt am Main,Angels (motif), Christianity, Liturgy, Gothic, Christian Mythology,Pyxes,Hostienpyxis,Host pyxis,Europe/France/Nouvelle-Aquitaine/Limoges,Europe;;France;;Nouvelle-Aquitaine;;Limoges,Copper,Gold,Enamel,Chasing,Champlevé,Engraving,This richly ornamented pyxis was probably used to store consecrated hosts (<em>reliqua sacramenti</em>), which in the Catholic faith represent the body of Christ. The liturgical copper vessel with a gold-plated interior can be closed and was probably kept in the tabernacle of a church. A knob with a cross crowns the conical hinged lid. On the lid and the blue-enameled cylindrical wall, gilded two- and four-leaf vine motifs alternate with the same number of round medallions. The medallions depict gilded and engraved busts of angels against a turquoise enamel background and on stylized yellow, red, and green clouds.<br class="linefeed" /><br class="linefeed" />Pyxides from Limoges were first mentioned in written sources around 1220. They were produced in large quantities there, as evidenced by the many surviving examples. They are usually decorated in a similar manner featuring vines, flowers, stars, and lilies (see inv. no. Mu.St.80) or the Christ monogram “IHS.” The comparatively rare figurative imagery, however, lends this pyx a certain value as a rarity.,Pyxis, emaillierte zylindrische Dose mit kegelförmigem Deckel, der von einem Kreuz bekrönt wird,Die Pyxis mit geöffnetem Deckel,Seitenansicht mit dem Verschluss nach links zeigend,Seitenansicht mit dem Verschluss nach hinten zeigend,Seitenansicht mit dem Verschluss nach rechts zeigend,Seitenansicht mit dem Verschluss nach vorne zeigend,Aufsicht auf den Deckel der Pyxis,Unterseite des Behälters
- InventoryNumberSearch_S: W.M.F5
- IvNO_S: W.M.F5
- AcquisitionDate_S: 07.06.1904
- MainTitle_S: Host pyxis
- MainTitle_S_sort: Host pyxis
- DatingType_S: Herstellung | Production
- Dating_S: after 1250
- Dating_S2: after 1250
- YearFrom_I: 1250
- YearTo_I: 1260
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Applied Arts in Europe
- Systematic_multi_facet: Applied Arts in Europe
- Systematic_multi_facet_filter: Applied Arts in Europe
- MaterialTechnique_S: Gilded copper, enamel (blue, white, red, turquoise), sunk enamel (champlevé), riveted base and walls
- AcquisitionType_S: Acquisition
- AcquisitionFrom_S: Collection Wilhelm Peter Metzler, Frankfurt am Main
- Keywords_S: Angels (motif), Christianity, Liturgy, Gothic, Christian Mythology
- Keywords_multi_facet: Angels (motif);;Christianity;;Liturgy;;Gothic;;Christian Mythology
- Keywords_multi_facet_filter: Angels (motif);;Christianity;;Liturgy;;Gothic;;Christian Mythology
- Materials_multi_facet: Copper;;Gold;;Enamel
- Materials_multi_facet_filter: Copper;;Gold;;Enamel
- Techniques_multi_facet: Chasing;;Champlevé;;Engraving
- Techniques_multi_facet_filter: Chasing;;Champlevé;;Engraving
- lists_s: ObjectNames,Titles,GeographicReferences,Materials,Techniques,Datings,Subjects,Texts,Dimensions,WebLinks,Media
- list_ObjectNames_I: 1
- ObjectNames_Type_0_S: Obj.bez.
- ObjectNames_Text_0_S: Pyxes
- list_Titles_I: 2
- Titles_Type_0_S: Titel
- Titles_Text_0_S: Hostienpyxis
- Titles_Text_S_sort: Hostienpyxis
- TitleSearch: Hostienpyxis,Host pyxis
- Titles_Type_1_S: Titel (englisch)
- Titles_Text_1_S: Host pyxis
- list_GeographicReferences_I: 1
- GeographicReferences_Type_0_S: Herstellungsort | Place of production
- GeographicReferences_Text_0_S: Europe/France/Nouvelle-Aquitaine/Limoges
- GeographicReferences_Text_0_multi_facet: Europe;;France;;Nouvelle-Aquitaine;;Limoges
- GeographicReferences_Text_0_multi_facet_filter: Europe;;France;;Nouvelle-Aquitaine;;Limoges
- list_Materials_I: 3
- Materials_Type_0_S: Material
- Materials_Text_0_S: Copper
- Materials_Type_1_S: Material
- Materials_Text_1_S: Gold
- Materials_Type_2_S: Material
- Materials_Text_2_S: Enamel
- list_Techniques_I: 4
- Techniques_Type_0_S: Technik
- Techniques_Text_0_S: Chasing
- Techniques_Type_1_S: Technik
- Techniques_Type_2_S: Technik
- Techniques_Text_2_S: Champlevé
- Techniques_Type_3_S: Technik
- Techniques_Text_3_S: Engraving
- list_Datings_I: 0
- list_Subjects_I: 0
- list_Texts_I: 1
- Texts_Type_0_S: Web (englisch)
- Texts_Language_0_S: EN
- Texts_LongText_0_S: This richly ornamented pyxis was probably used to store consecrated hosts (<em>reliqua sacramenti</em>), which in the Catholic faith represent the body of Christ. The liturgical copper vessel with a gold-plated interior can be closed and was probably kept in the tabernacle of a church. A knob with a cross crowns the conical hinged lid. On the lid and the blue-enameled cylindrical wall, gilded two- and four-leaf vine motifs alternate with the same number of round medallions. The medallions depict gilded and engraved busts of angels against a turquoise enamel background and on stylized yellow, red, and green clouds.<br class="linefeed" /><br class="linefeed" />Pyxides from Limoges were first mentioned in written sources around 1220. They were produced in large quantities there, as evidenced by the many surviving examples. They are usually decorated in a similar manner featuring vines, flowers, stars, and lilies (see inv. no. Mu.St.80) or the Christ monogram “IHS.” The comparatively rare figurative imagery, however, lends this pyx a certain value as a rarity.
- list_Dimensions_I: 1
- Dimensions_Type_0_S: Objektmaß | Overall
- Dimensions_Dimension_0_S: 10,7 x 9 x 6,7 cm
- list_WebLinks_I: 0
- list_Media_I: 8
- Media_Key_0_s: 46ab4351-e1ab-4fe2-82e2-edd740269b05
- Media_Type_0_S: Bild
- Media_AltText_0_S: Pyxis, emaillierte zylindrische Dose mit kegelförmigem Deckel, der von einem Kreuz bekrönt wird
- Media_Rightsholder_0_S: Museum Angewandte Kunst
- Media_Credits_0_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_0_S: CC BY-NC-SA 4.0
- Media_Key_1_s: 00d6b338-cc2e-47c8-a5f9-e2f6d1888743
- Media_Type_1_S: Bild
- Media_AltText_1_S: Die Pyxis mit geöffnetem Deckel
- Media_Rightsholder_1_S: Museum Angewandte Kunst
- Media_Credits_1_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_1_S: CC BY-NC-SA 4.0
- Media_Key_2_s: bbe7b883-61e7-4ccb-b83b-e289d3a40156
- Media_Type_2_S: Bild
- Media_AltText_2_S: Seitenansicht mit dem Verschluss nach links zeigend
- Media_Rightsholder_2_S: Museum Angewandte Kunst
- Media_Credits_2_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_2_S: CC BY-NC-SA 4.0
- Media_Key_3_s: ca46a208-0215-4f2c-bef7-e9602a53371c
- Media_Type_3_S: Bild
- Media_AltText_3_S: Seitenansicht mit dem Verschluss nach hinten zeigend
- Media_Rightsholder_3_S: Museum Angewandte Kunst
- Media_Credits_3_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_3_S: CC BY-NC-SA 4.0
- Media_Key_4_s: 60b391dc-12b2-4dce-aa4d-5e4a54abd8f0
- Media_Type_4_S: Bild
- Media_AltText_4_S: Seitenansicht mit dem Verschluss nach rechts zeigend
- Media_Rightsholder_4_S: Museum Angewandte Kunst
- Media_Credits_4_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_4_S: CC BY-NC-SA 4.0
- Media_Key_5_s: 223f5379-7d93-4df9-8e34-666d851f2522
- Media_Type_5_S: Bild
- Media_AltText_5_S: Seitenansicht mit dem Verschluss nach vorne zeigend
- Media_Rightsholder_5_S: Museum Angewandte Kunst
- Media_Credits_5_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_5_S: CC BY-NC-SA 4.0
- Media_Key_6_s: a7667d88-cb80-4fd7-ad3a-8a38a0baa3ca
- Media_Type_6_S: Bild
- Media_AltText_6_S: Aufsicht auf den Deckel der Pyxis
- Media_Rightsholder_6_S: Museum Angewandte Kunst
- Media_Credits_6_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_6_S: CC BY-NC-SA 4.0
- Media_Key_7_s: 0c570596-f51f-4101-b0ff-180ab9d02da1
- Media_Type_7_S: Bild
- Media_AltText_7_S: Unterseite des Behälters
- Media_Rightsholder_7_S: Museum Angewandte Kunst
- Media_Credits_7_S: Foto: Franziska Krieck © Museum Angewandte Kunst
- Media_Comments_7_S: CC BY-NC-SA 4.0
- _version_: 1838835080858960000
- lists: [object Object]