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Horae B.V. Mariae Ad Usum Romanum
After 1520
The Calendar is followed by the beginnings of the Gospels accompanied by miniatures of the authors, the section of the Gospel of John for the Passion of Christ, the Hours of the Cross and the Hours of the Holy Spirit. The Mass of the Blessed Virgin Mary is accompanied by a full-page picture of the Madonna and Child. The Hours of the Virgin is followed by the Penitential Psalms with the double-page picture of David Praying (left) and Hell (right). The Litany is followed by the Creed, prayers to Salvator mundi, to Mary, and further saints, all depicted in a small miniature. The prayers for certain holidays are accompanied by depictions of the Holy Trinity, a Franciscan at a death bed, the Creation of Eve, the Damned in Hell, and Ecce homo, concluded by a miniature of a Franciscan listening to a confession. The manuscript originates from the circle around Simon Bening, who alongside Gerard Horenbout was one of the most important artistic figures in the Bruges of the sixteenth century. Schiller points to the Munich Codex Clm. 23637 for the picture of David and the fragment of the prayer book in Madrid for the pictures of the half length figures. A striking feature is the detailed, psychologizing physiognomies of the faces. Together with the “Michelangelesque” figures of the Evangelists, they point to a probable production date for the book some time considerably after 1520.
Title
Horae B.V. Mariae Ad Usum Romanum
Date
After 1520 (Production)
Geographical reference
Material / Technique
Manuscript on parchment, 247 fols. 88 x 64 mm, written area 59 x 37 mm, single-columned with fourteen lines, Latin text in Humanist Rotunda in brown and red (headings) ink, two full and thirty seven small miniatures, painted decorated initials; black lerather binding, seventeenth century, one silver clasp, gilt edging
Dimensions
Overall:
9 x 6,5 x 3,5 cm
Sheet dimensions:
88 x 64 mm
Object type
Books of hours
Illuminated manuscripts
Collection
Inventory number
L.M.56
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Bequest; 06.04.1916;
- Key: ac5ab799-135d-4d17-a4de-e4ab4c198070
- Module_ref: collection
- Create_date: 2020-07-22T13:40:40Z
- Change_date: 2025-01-28T23:00:00Z
- Sync_date: 2025-02-04T19:19:27Z
- Container_S: Buchkunst und Grafik
- SimpleSearch: Buchkunst und Grafik,L.M.56,Herstellung | Production,After 1520,Manuscript on parchment, 247 fols. 88 x 64 mm, written area 59 x 37 mm, single-columned with fourteen lines, Latin text in Humanist Rotunda in brown and red (headings) ink, two full and thirty seven small miniatures, painted decorated initials; black lerather binding, seventeenth century, one silver clasp, gilt edging,Miniature paintings, Decorated initials, Script, Rotunda (script), Christianity, Liturgy,Books of hours,Illuminated manuscripts,Horae B.V. Mariae Ad Usum Romanum,Horae B.V. Mariae Ad Usum Romanum,The Calendar is followed by the beginnings of the Gospels accompanied by miniatures of the authors, the section of the Gospel of John for the Passion of Christ, the Hours of the Cross and the Hours of the Holy Spirit. The Mass of the Blessed Virgin Mary is accompanied by a full-page picture of the Madonna and Child. The Hours of the Virgin is followed by the Penitential Psalms with the double-page picture of David Praying (left) and Hell (right). The Litany is followed by the Creed, prayers to <em>Salvator mundi</em>, to Mary, and further saints, all depicted in a small miniature. The prayers for certain holidays are accompanied by depictions of the Holy Trinity, a Franciscan at a death bed, the Creation of Eve, the Damned in Hell, and <em>Ecce homo</em>, concluded by a miniature of a Franciscan listening to a confession. The manuscript originates from the circle around Simon Bening, who alongside Gerard Horenbout was one of the most important artistic figures in the Bruges of the sixteenth century. Schiller points to the Munich Codex Clm. 23637 for the picture of David and the fragment of the prayer book in Madrid for the pictures of the half length figures. A striking feature is the detailed, psychologizing physiognomies of the faces. Together with the “Michelangelesque” figures of the Evangelists, they point to a probable production date for the book some time considerably after 1520.,Folio 135 des aufgeschlagenen Stundenbuchs.,Folio 13 des aufgeschlagenen Stundenbuchs.,Folio 54 des aufgeschlagenen Stundenbuchs.,Folio 131 des aufgeschlagenen Stundenbuchs.,Der Einband des Stundenbuchs von oben.
- SimpleSearch2: Buchkunst und Grafik,L.M.56,Herstellung | Production,After 1520,Manuscript on parchment, 247 fols. 88 x 64 mm, written area 59 x 37 mm, single-columned with fourteen lines, Latin text in Humanist Rotunda in brown and red (headings) ink, two full and thirty seven small miniatures, painted decorated initials; black lerather binding, seventeenth century, one silver clasp, gilt edging,Miniature paintings, Decorated initials, Script, Rotunda (script), Christianity, Liturgy,Books of hours,Illuminated manuscripts,Horae B.V. Mariae Ad Usum Romanum,Horae B.V. Mariae Ad Usum Romanum,The Calendar is followed by the beginnings of the Gospels accompanied by miniatures of the authors, the section of the Gospel of John for the Passion of Christ, the Hours of the Cross and the Hours of the Holy Spirit. The Mass of the Blessed Virgin Mary is accompanied by a full-page picture of the Madonna and Child. The Hours of the Virgin is followed by the Penitential Psalms with the double-page picture of David Praying (left) and Hell (right). The Litany is followed by the Creed, prayers to <em>Salvator mundi</em>, to Mary, and further saints, all depicted in a small miniature. The prayers for certain holidays are accompanied by depictions of the Holy Trinity, a Franciscan at a death bed, the Creation of Eve, the Damned in Hell, and <em>Ecce homo</em>, concluded by a miniature of a Franciscan listening to a confession. The manuscript originates from the circle around Simon Bening, who alongside Gerard Horenbout was one of the most important artistic figures in the Bruges of the sixteenth century. Schiller points to the Munich Codex Clm. 23637 for the picture of David and the fragment of the prayer book in Madrid for the pictures of the half length figures. A striking feature is the detailed, psychologizing physiognomies of the faces. Together with the “Michelangelesque” figures of the Evangelists, they point to a probable production date for the book some time considerably after 1520.,Folio 135 des aufgeschlagenen Stundenbuchs.,Folio 13 des aufgeschlagenen Stundenbuchs.,Folio 54 des aufgeschlagenen Stundenbuchs.,Folio 131 des aufgeschlagenen Stundenbuchs.,Der Einband des Stundenbuchs von oben.
- InventoryNumber_S: L.M.56
- InventoryNumber_S_sort: L.M.56
- InventoryNumberSearch_S: L.M.56
- AcquisitionDate_S: 06.04.1916
- MainTitle_S: Horae B.V. Mariae Ad Usum Romanum
- MainTitle_S_sort: Horae B.V. Mariae Ad Usum Romanum
- DatingType_S: Herstellung | Production
- Dating_S: After 1520
- Dating_S2: After 1520
- YearFrom_I: 1520
- YearTo_I: 1525
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Book art and graphic design
- Systematic_multi_facet: Book art and graphic design
- Systematic_multi_facet_filter: Book art and graphic design
- MaterialTechnique_S: Manuscript on parchment, 247 fols. 88 x 64 mm, written area 59 x 37 mm, single-columned with fourteen lines, Latin text in Humanist Rotunda in brown and red (headings) ink, two full and thirty seven small miniatures, painted decorated initials; black lerather binding, seventeenth century, one silver clasp, gilt edging
- AcquisitionType_S: Bequest
- Keywords_S: Miniature paintings, Decorated initials, Script, Rotunda (script), Christianity, Liturgy
- Keywords_multi_facet: Miniature paintings;;Decorated initials;;Script;;Rotunda (script);;Christianity;;Liturgy
- Keywords_multi_facet_filter: Miniature paintings;;Decorated initials;;Script;;Rotunda (script);;Christianity;;Liturgy
- Materials_multi_facet: Parchment;;Ink;;Leather;;Gold;;Silver
- Materials_multi_facet_filter: Parchment;;Ink;;Leather;;Gold;;Silver
- Techniques_multi_facet: Handwriting;;Painting;;Book binding
- Techniques_multi_facet_filter: Handwriting;;Painting;;Book binding
- lists_s: ObjectNames,Titles,GeographicReferences,Materials,Techniques,Datings,Subjects,Texts,Dimensions,WebLinks,Media
- list_ObjectNames_I: 2
- ObjectNames_Type_0_S: Obj.bez.
- ObjectNames_Text_0_S: Books of hours
- ObjectNames_Type_1_S: Obj.bez. (alternativ)
- ObjectNames_Text_1_S: Illuminated manuscripts
- list_Titles_I: 2
- Titles_Type_0_S: Titel
- Titles_Text_0_S: Horae B.V. Mariae Ad Usum Romanum
- Titles_Text_S_sort: Horae B.V. Mariae Ad Usum Romanum
- TitleSearch: Horae B.V. Mariae Ad Usum Romanum,Horae B.V. Mariae Ad Usum Romanum
- Titles_Type_1_S: Titel (englisch)
- Titles_Text_1_S: Horae B.V. Mariae Ad Usum Romanum
- list_GeographicReferences_I: 1
- GeographicReferences_Type_0_S: wahrscheinliche Herkunft | Probable origin
- list_Materials_I: 6
- Materials_Type_0_S: Material
- Materials_Text_0_S: Parchment
- Materials_Type_1_S: Material
- Materials_Text_1_S: Ink
- Materials_Type_2_S: Material
- Materials_Type_3_S: Material
- Materials_Text_3_S: Leather
- Materials_Type_4_S: Material
- Materials_Text_4_S: Gold
- Materials_Type_5_S: Material
- Materials_Text_5_S: Silver
- list_Techniques_I: 3
- Techniques_Type_0_S: Technik
- Techniques_Text_0_S: Handwriting
- Techniques_Type_1_S: Technik
- Techniques_Text_1_S: Painting
- Techniques_Type_2_S: Technik
- Techniques_Text_2_S: Book binding
- list_Datings_I: 0
- list_Subjects_I: 0
- list_Texts_I: 1
- Texts_Type_0_S: Web (englisch)
- Texts_Language_0_S: EN
- Texts_LongText_0_S: The Calendar is followed by the beginnings of the Gospels accompanied by miniatures of the authors, the section of the Gospel of John for the Passion of Christ, the Hours of the Cross and the Hours of the Holy Spirit. The Mass of the Blessed Virgin Mary is accompanied by a full-page picture of the Madonna and Child. The Hours of the Virgin is followed by the Penitential Psalms with the double-page picture of David Praying (left) and Hell (right). The Litany is followed by the Creed, prayers to <em>Salvator mundi</em>, to Mary, and further saints, all depicted in a small miniature. The prayers for certain holidays are accompanied by depictions of the Holy Trinity, a Franciscan at a death bed, the Creation of Eve, the Damned in Hell, and <em>Ecce homo</em>, concluded by a miniature of a Franciscan listening to a confession. The manuscript originates from the circle around Simon Bening, who alongside Gerard Horenbout was one of the most important artistic figures in the Bruges of the sixteenth century. Schiller points to the Munich Codex Clm. 23637 for the picture of David and the fragment of the prayer book in Madrid for the pictures of the half length figures. A striking feature is the detailed, psychologizing physiognomies of the faces. Together with the “Michelangelesque” figures of the Evangelists, they point to a probable production date for the book some time considerably after 1520.
- list_Dimensions_I: 2
- Dimensions_Type_0_S: Objektmaß | Overall
- Dimensions_Dimension_0_S: 9 x 6,5 x 3,5 cm
- Dimensions_Type_1_S: Blattmaß | Sheet dimensions
- Dimensions_Dimension_1_S: 88 x 64 mm
- list_WebLinks_I: 0
- list_Media_I: 5
- Media_Key_0_s: b2787e1c-3b1e-4d85-8824-038b70c68d62
- Media_Type_0_S: Bild
- Media_AltText_0_S: Folio 135 des aufgeschlagenen Stundenbuchs.
- Media_Rightsholder_0_S: Museum Angewandte Kunst
- Media_Credits_0_S: © Museum Angewandte Kunst, Frankfurt
- Media_Comments_0_S: CC BY-NC-SA 4.0
- Media_Key_1_s: a04c9a03-dc83-406f-9cab-4077ecdfb18b
- Media_Type_1_S: Bild
- Media_AltText_1_S: Folio 13 des aufgeschlagenen Stundenbuchs.
- Media_Rightsholder_1_S: Museum Angewandte Kunst
- Media_Credits_1_S: © Museum Angewandte Kunst, Frankfurt
- Media_Comments_1_S: CC BY-NC-SA 4.0
- Media_Key_2_s: 15150057-203a-4d01-b9b6-48723ee44bd9
- Media_Type_2_S: Bild
- Media_AltText_2_S: Folio 54 des aufgeschlagenen Stundenbuchs.
- Media_Rightsholder_2_S: Museum Angewandte Kunst
- Media_Credits_2_S: © Museum Angewandte Kunst, Frankfurt
- Media_Comments_2_S: CC BY-NC-SA 4.0
- Media_Key_3_s: 818f6035-8ac9-4e76-a8ae-2f561c3b2e6e
- Media_Type_3_S: Bild
- Media_AltText_3_S: Folio 131 des aufgeschlagenen Stundenbuchs.
- Media_Rightsholder_3_S: Museum Angewandte Kunst
- Media_Credits_3_S: © Museum Angewandte Kunst, Frankfurt
- Media_Comments_3_S: CC BY-NC-SA 4.0
- Media_Key_4_s: 0e34dcae-ff74-4fe3-bdaa-4fa7af0c5b37
- Media_Type_4_S: Bild
- Media_AltText_4_S: Der Einband des Stundenbuchs von oben.
- Media_Rightsholder_4_S: Museum Angewandte Kunst
- Media_Credits_4_S: © Museum Angewandte Kunst, Frankfurt
- Media_Comments_4_S: CC BY-NC-SA 4.0
- _version_: 1823155723303911400
- lists: [object Object]