The Calendar is followed by the beginnings of the Gospels accompanied by miniatures of the authors, the section of the Gospel of John for the Passion of Christ, the Hours of the Cross and the Hours of the Holy Spirit. The Mass of the Blessed Virgin Mary is accompanied by a full-page picture of the Madonna and Child. The Hours of the Virgin is followed by the Penitential Psalms with the double-page picture of David Praying (left) and Hell (right). The Litany is followed by the Creed, prayers to Salvator mundi, to Mary, and further saints, all depicted in a small miniature. The prayers for certain holidays are accompanied by depictions of the Holy Trinity, a Franciscan at a death bed, the Creation of Eve, the Damned in Hell, and Ecce homo, concluded by a miniature of a Franciscan listening to a confession. The manuscript originates from the circle around Simon Bening, who alongside Gerard Horenbout was one of the most important artistic figures in the Bruges of the sixteenth century. Schiller points to the Munich Codex Clm. 23637 for the picture of David and the fragment of the prayer book in Madrid for the pictures of the half length figures. A striking feature is the detailed, psychologizing physiognomies of the faces. Together with the “Michelangelesque” figures of the Evangelists, they point to a probable production date for the book some time considerably after 1520.