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Calligraphy in Cursive Script
Xing Tong
16th - 17th century
Xing Tong is one of the four great calligraphers of the late Ming Dynasty. His contemporaries appreciated his calligraphy so much that they equated him with Dong Qichang (1555–1635). After a short civil service career, he retired to his hometown Linyi, where he devoted himself entirely to calligraphy, poetry and painting. The refined culture of the literati was at its peak at that time, and Xing Tong became the center of a circle of poets.
Xing Tong's calligraphy is entirely in the classical tradition of the main master of Chinese calligraphy, Wang Xizhi (303–361). The characters are elegant and fluid, executed with a vertically applied, 'round' brush, whereby the artist repeatedly sets strong accents in order to then create a dynamic rhythm in the typeface with quickly executed, drier brushstrokes.
Title
Calligraphy in Cursive Script
行書立軸
Involved in the execution
Xing Tong (Artist)
Date
16th - 17th century (Production)
Geographical reference
Place of production: China
Material / Technique
Ink on paper
Dimensions
Overall:
1.607 x 442 mm
Object type
Collection
Inventory number
12666
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Acquisition; 31.01.1958; Jean-Pierre Dubosc, Lugano
Included in these topics
- Key: c5d9d28d-883c-46bd-a95d-d564f0a7ac1c
- Module_ref: collection
- Create_date: 2009-10-01T22:00:00Z
- Change_date: 2024-04-07T22:00:00Z
- Sync_date: 2024-12-03T10:01:34Z
- Container_S: Ostasien
- SimpleSearch: Ostasien,12666,Herstellung | Production,16th - 17th century,Ink on paper,Jean-Pierre Dubosc, Lugano,Xing,Tong,Hanging scroll,Calligraphy,Kalligraphie in Konzeptschrift ,Calligraphy in Cursive Script ,行書立軸,Tong,Xing,Xing Tong,Xing Tong is one of the four great calligraphers of the late Ming Dynasty. His contemporaries appreciated his calligraphy so much that they equated him with Dong Qichang (1555–1635). After a short civil service career, he retired to his hometown Linyi, where he devoted himself entirely to calligraphy, poetry and painting. The refined culture of the literati was at its peak at that time, and Xing Tong became the center of a circle of poets. <br class="linefeed" />Xing Tong's calligraphy is entirely in the classical tradition of the main master of Chinese calligraphy, Wang Xizhi (303–361). The characters are elegant and fluid, executed with a vertically applied, 'round' brush, whereby the artist repeatedly sets strong accents in order to then create a dynamic rhythm in the typeface with quickly executed, drier brushstrokes. <br class="linefeed" /><br class="linefeed" />,Rollbild in langem Hochformat mit Kalligraphie
- SimpleSearch2: Ostasien,12666,Herstellung | Production,16th - 17th century,Ink on paper,Jean-Pierre Dubosc, Lugano,Xing,Tong,Hanging scroll,Calligraphy,Kalligraphie in Konzeptschrift ,Calligraphy in Cursive Script ,行書立軸,Tong,Xing,Xing Tong,Xing Tong is one of the four great calligraphers of the late Ming Dynasty. His contemporaries appreciated his calligraphy so much that they equated him with Dong Qichang (1555–1635). After a short civil service career, he retired to his hometown Linyi, where he devoted himself entirely to calligraphy, poetry and painting. The refined culture of the literati was at its peak at that time, and Xing Tong became the center of a circle of poets. <br class="linefeed" />Xing Tong's calligraphy is entirely in the classical tradition of the main master of Chinese calligraphy, Wang Xizhi (303–361). The characters are elegant and fluid, executed with a vertically applied, 'round' brush, whereby the artist repeatedly sets strong accents in order to then create a dynamic rhythm in the typeface with quickly executed, drier brushstrokes. <br class="linefeed" /><br class="linefeed" />,Rollbild in langem Hochformat mit Kalligraphie
- InventoryNumber_S: 12666
- InventoryNumber_S_sort: 12666
- InventoryNumberSearch_S: 12666
- AcquisitionDate_S: 31.01.1958
- MainTitle_S: Calligraphy in Cursive Script
- MainTitle_S_sort: Calligraphy in Cursive Script
- DatingType_S: Herstellung | Production
- Dating_S: 16th - 17th century
- Dating_S2: 16th - 17th century
- YearFrom_I: 1500
- YearTo_I: 1699
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Asian Collection
- Systematic_multi_facet: Asian Collection
- Systematic_multi_facet_filter: Asian Collection
- MaterialTechnique_S: Ink on paper
- AcquisitionType_S: Acquisition
- AcquisitionFrom_S: Jean-Pierre Dubosc, Lugano
- Materials_multi_facet: Paper;;Ink
- Materials_multi_facet_filter: Paper;;Ink
- Techniques_multi_facet: Calligraphy (process)
- Techniques_multi_facet_filter: Calligraphy (process)
- Subjects_FirstName_multi_facet: Xing
- Subjects_FirstName_multi_facet_filter: Xing
- Subjects_Name_multi_facet: Tong
- Subjects_Name_multi_facet_filter: Tong
- Subjects_FullName_multi_facet: Xing Tong
- Subjects_FullName_multi_facet_filter: Xing Tong
- Subjects_NameSorted_multi_facet: Tong, Xing
- Subjects_NameSorted_multi_facet_filter: Tong, Xing
- lists_s: ObjectNames,Titles,GeographicReferences,Materials,Techniques,Datings,Subjects,Texts,Dimensions,WebLinks,Media
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- ObjectNames_Type_0_S: Obj.bez.
- ObjectNames_Text_0_S: Hanging scroll
- ObjectNames_Type_1_S: Obj.bez. (alternativ)
- ObjectNames_Text_1_S: Calligraphy
- list_Titles_I: 3
- Titles_Type_0_S: Titel
- Titles_Text_0_S: Kalligraphie in Konzeptschrift
- Titles_Text_S_sort: Kalligraphie in Konzeptschrift
- TitleSearch: Kalligraphie in Konzeptschrift ,Calligraphy in Cursive Script ,行書立軸
- Titles_Type_1_S: Titel (englisch)
- Titles_Text_1_S: Calligraphy in Cursive Script
- Titles_Type_2_S: Titel (zh)
- Titles_Text_2_S: 行書立軸
- list_GeographicReferences_I: 1
- GeographicReferences_Type_0_S: Herstellungsort | Place of production
- GeographicReferences_Text_0_S: Asia/East Asia/China
- GeographicReferences_Text_0_multi_facet: Asia;;East Asia;;China
- GeographicReferences_Text_0_multi_facet_filter: Asia;;East Asia;;China
- list_Materials_I: 2
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- Materials_Type_1_S: Material
- Materials_Text_1_S: Ink
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- Techniques_Text_0_S: Calligraphy (process)
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- list_Subjects_I: 1
- Subjects_Role_0_S: Artist
- Subjects_Key_0_S: 398085a8-5a7c-42e4-8602-5215462ffbeb
- Subjects_Type_0_S: Person
- Subjects_Name_0_S: Tong
- Subjects_FirstName_0_S: Xing
- Subjects_SortedName_0_S: Xing Tong
- Subjects_S_sort: Xing Tong
- Subjects_Dating_0_S: 1551–1612
- list_Texts_I: 1
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- Texts_Language_0_S: EN
- Texts_LongText_0_S: Xing Tong is one of the four great calligraphers of the late Ming Dynasty. His contemporaries appreciated his calligraphy so much that they equated him with Dong Qichang (1555–1635). After a short civil service career, he retired to his hometown Linyi, where he devoted himself entirely to calligraphy, poetry and painting. The refined culture of the literati was at its peak at that time, and Xing Tong became the center of a circle of poets. <br class="linefeed" />Xing Tong's calligraphy is entirely in the classical tradition of the main master of Chinese calligraphy, Wang Xizhi (303–361). The characters are elegant and fluid, executed with a vertically applied, 'round' brush, whereby the artist repeatedly sets strong accents in order to then create a dynamic rhythm in the typeface with quickly executed, drier brushstrokes. <br class="linefeed" /><br class="linefeed" />
- list_Dimensions_I: 1
- Dimensions_Type_0_S: Objektmaß | Overall
- Dimensions_Dimension_0_S: 1.607 x 442 mm
- list_WebLinks_I: 0
- list_Media_I: 1
- Media_Key_0_s: 846c2a63-02f7-4339-a6db-bef7ff8ac4eb
- Media_Type_0_S: Bild
- Media_AltText_0_S: Rollbild in langem Hochformat mit Kalligraphie
- Media_Rightsholder_0_S: Museum Angewandte Kunst
- Media_Credits_0_S: Foto: Rainer Drexel © Museum Angewandte Kunst
- Media_Comments_0_S: CC BY-NC-SA 4.0
- _version_: 1817413104852533200
- lists: [object Object]