Home > Advanced search > Objects > Book of Hours of Belondo Biaxo, according to the custom of the Roman Church
Book of Hours of Belondo Biaxo, according to the custom of the Roman Church
Henricus Amsterdamnus; Belondo de St. Biaxio
ca. 1470
Following the Calendar, the manuscript contains the Hours of the Virgin, a special Office for the first Saturday of Advent, Penitential Psalms and Litany, Office of the Dead, a short and an extensive Hours of the Cross. Prayers to the Saints and a section on Mary Magdalene complete the manuscript. The Calendar is preceded by an inscription from the owner expressing the hope that the manuscript, initiated by him, may bring consolation to subsequent owners and provide occasion for them to pray to God. Furthermore, the scribe, namely Henricus Amsterdamnus alias Senza paura, is also named. He was the main scribe for the choir books at S. Petronio in Bologna, and the miniatures in the Book of Hours are also to be seen in connection with its main master, Martino da Modena († 1489), who was a miniature painter in Ferrara and important son of Giorgio d’Alemagna (ca. 1450).
Title
Book of Hours of Belondo Biaxo, according to the custom of the Roman Church
Involved in the execution
Henricus Amsterdamnus (Scribe)
Belondo de St. Biaxio (Commissioner)
Date
ca. 1470 (Production)
Geographical reference
Place of production: Bologna
Material / Technique
Manuscript on parchment, 220 fols. 140 x 100 mm, written area 75 x 54 mm, single-columned with fourteen lines, Latin and Italian text in Textura in brown, red (headings), and blue ink, Blue and red drawn fleuronnée initials, painted decorated initials, one miniature and five illuminated initials framed with borders; binding of the time in green silk on wood, silver clasp with leaf ornamentation, patterned gilt edging
Dimensions
Sheet dimensions:
140 x 100 mm
Overall:
15 x 10,5 x 5,3 cm
Object type
Books of hours
Illuminated manuscripts
Collection
Inventory number
L.M.52
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Bequest; 06.04.1916; Albert Linel, Frankfurt am Main
- Key: e60b28e1-06df-47f7-baca-c34551955d47
- Module_ref: collection
- Create_date: 2008-02-17T23:00:00Z
- Change_date: 2025-03-10T23:00:00Z
- Sync_date: 2025-03-13T19:58:21Z
- Container_S: Buchkunst und Grafik
- SimpleSearch: Buchkunst und Grafik,L.M.52,Herstellung | Production,ca. 1470,Manuscript on parchment, 220 fols. 140 x 100 mm, written area 75 x 54 mm, single-columned with fourteen lines, Latin and Italian text in Textura in brown, red (headings), and blue ink, Blue and red drawn fleuronnée initials, painted decorated initials, one miniature and five illuminated initials framed with borders; binding of the time in green silk on wood, silver clasp with leaf ornamentation, patterned gilt edging,Albert Linel, Frankfurt am Main,Floral patterns, Ornamental patterns, Miniature paintings, Script, Textura, Decorated initials, Decorated Initials, Christianity, Liturgy,Henricus,Belondo,Amsterdamnus;;de St. Biaxio,Books of hours,Illuminated manuscripts,Stundenbuch des Belondo de St. Biaxio, nach dem Brauch der Römischen Kirche,Book of Hours of Belondo Biaxo, according to the custom of the Roman Church,Amsterdamnus,Henricus,Amsterdamnus Henricus,de St. Biaxio,Belondo,de St. Biaxio, Belondo,Following the Calendar, the manuscript contains the Hours of the Virgin, a special Office for the first Saturday of Advent, Penitential Psalms and Litany, Office of the Dead, a short and an extensive Hours of the Cross. Prayers to the Saints and a section on Mary Magdalene complete the manuscript. The Calendar is preceded by an inscription from the owner expressing the hope that the manuscript, initiated by him, may bring consolation to subsequent owners and provide occasion for them to pray to God. Furthermore, the scribe, namely Henricus Amsterdamnus alias Senza paura, is also named. He was the main scribe for the choir books at S. Petronio in Bologna, and the miniatures in the Book of Hours are also to be seen in connection with its main master, Martino da Modena († 1489), who was a miniature painter in Ferrara and important son of Giorgio d’Alemagna (ca. 1450).,Geöffnetes Stundenbuch, Doppelseite 38,Geöffnetes Stundenbuch, Doppelseite 94,Geöffnetes Stundenbuch, Doppelseite 118,Geöffnetes Stundenbuch, Doppelseite 154,Geöffnetes Stundenbuch, Doppelseite 161,Geöffnetes Stundenbuch, Doppelseite 174,Aufsicht auf den Vorderdeckel des Studenbuchs,Geöffnetes Stundenbuch, Doppelseite 7
- SimpleSearch2: Buchkunst und Grafik,L.M.52,Herstellung | Production,ca. 1470,Manuscript on parchment, 220 fols. 140 x 100 mm, written area 75 x 54 mm, single-columned with fourteen lines, Latin and Italian text in Textura in brown, red (headings), and blue ink, Blue and red drawn fleuronnée initials, painted decorated initials, one miniature and five illuminated initials framed with borders; binding of the time in green silk on wood, silver clasp with leaf ornamentation, patterned gilt edging,Albert Linel, Frankfurt am Main,Floral patterns, Ornamental patterns, Miniature paintings, Script, Textura, Decorated initials, Decorated Initials, Christianity, Liturgy,Henricus,Belondo,Amsterdamnus;;de St. Biaxio,Books of hours,Illuminated manuscripts,Stundenbuch des Belondo de St. Biaxio, nach dem Brauch der Römischen Kirche,Book of Hours of Belondo Biaxo, according to the custom of the Roman Church,Amsterdamnus,Henricus,Amsterdamnus Henricus,de St. Biaxio,Belondo,de St. Biaxio, Belondo,Following the Calendar, the manuscript contains the Hours of the Virgin, a special Office for the first Saturday of Advent, Penitential Psalms and Litany, Office of the Dead, a short and an extensive Hours of the Cross. Prayers to the Saints and a section on Mary Magdalene complete the manuscript. The Calendar is preceded by an inscription from the owner expressing the hope that the manuscript, initiated by him, may bring consolation to subsequent owners and provide occasion for them to pray to God. Furthermore, the scribe, namely Henricus Amsterdamnus alias Senza paura, is also named. He was the main scribe for the choir books at S. Petronio in Bologna, and the miniatures in the Book of Hours are also to be seen in connection with its main master, Martino da Modena († 1489), who was a miniature painter in Ferrara and important son of Giorgio d’Alemagna (ca. 1450).,Geöffnetes Stundenbuch, Doppelseite 38,Geöffnetes Stundenbuch, Doppelseite 94,Geöffnetes Stundenbuch, Doppelseite 118,Geöffnetes Stundenbuch, Doppelseite 154,Geöffnetes Stundenbuch, Doppelseite 161,Geöffnetes Stundenbuch, Doppelseite 174,Aufsicht auf den Vorderdeckel des Studenbuchs,Geöffnetes Stundenbuch, Doppelseite 7
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- AcquisitionDate_S: 06.04.1916
- MainTitle_S: Book of Hours of Belondo Biaxo, according to the custom of the Roman Church
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- DatingType_S: Herstellung | Production
- Dating_S: ca. 1470
- Dating_S2: ca. 1470
- YearFrom_I: 1460
- YearTo_I: 1480
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Book art and graphic design
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- AcquisitionFrom_S: Albert Linel, Frankfurt am Main
- Keywords_S: Floral patterns, Ornamental patterns, Miniature paintings, Script, Textura, Decorated initials, Decorated Initials, Christianity, Liturgy
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- Subjects_FirstName_multi_facet: Henricus,Belondo
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- Subjects_Name_multi_facet: Amsterdamnus;;de St. Biaxio
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- Subjects_FullName_multi_facet: Henricus Amsterdamnus;;Belondo de St. Biaxio
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