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Kendi in the shape of a toad
ca. 1680
This vessel in the shape of a stylized toad goes back to the kendi (Sanskrit kundi, Malay kendi), a common vessel for drinking water in pre-modern South Asia. As early as the 12th/13th century, such vessels came to China as a result of the flourishing maritime trade. Later, for export to Europe and the so-called “Near East,” the original geometric shape of the drinking bottle was playfully replaced by the body of an animal such as an elephant or a toad.
The toad-shaped vessel shown here was created around 1680 in the Frankfurt faience workshops as a less expensive imitation of the highly sought-after but very expensive Chinese porcelain models from the late Ming period (1368 –1644). At this time, porcelain production was still unknown in Europe. Until porcelain was first produced in Europe in Meissen around 1710, faience was a widespread form of ceramic. Among other things, it differs from porcelain in that it has a dark body and a lower firing temperature.
The piece came into the museum collection in 1951/52, but its provenance, i.e., its origin and history, still needs to be researched in more detail for the years 1933 to 1935 (when the previous owner acquired it).
Title
Kendi in the shape of a toad
Date
ca. 1680 (Production)
Geographical reference
Origin: Frankfurt am Main
Material / Technique
Faience, yellowish body, freely modelled; white glaze; blue in-glaze painting
Dimensions
Overall:
19,5 x 13 x 18,5
Object type
Collection
Inventory number
12234
Creditline
Museum Angewandte Kunst, Frankfurt am Main
Accession
Exchange; 31.12.1952; Wilhelm Hermann Alexander Prince of Dohna-Schlobitten (1899-1997), Grenzach
Included in these topics
- Key: ce91d5a5-23ce-44c3-869d-887fd7cefb0a
- Module_ref: collection
- Create_date: 2008-02-11T23:00:00Z
- Change_date: 2024-05-05T22:00:00Z
- Sync_date: 2024-12-03T10:01:26Z
- Container_S: Europa bis 19.Jahrhundert
- SimpleSearch: Europa bis 19.Jahrhundert,12234,Herstellung | Production,ca. 1680,Faience, yellowish body, freely modelled; white glaze; blue in-glaze painting,Wilhelm Hermann Alexander Prince of Dohna-Schlobitten (1899-1997), Grenzach,Copies, Toads, Ornamental patterns, Cross cultural, Blue and White,Kendi,Kendi in Form einer Kröte,Kendi in the shape of a toad,This vessel in the shape of a stylized toad goes back to the <em>kendi</em> (Sanskrit <em>kundi</em>, Malay <em>kendi</em>), a common vessel for drinking water in pre-modern South Asia. As early as the 12th/13th century, such vessels came to China as a result of the flourishing maritime trade. Later, for export to Europe and the so-called “Near East,” the original geometric shape of the drinking bottle was playfully replaced by the body of an animal such as an elephant or a toad.<br class="linefeed" /><br class="linefeed" />The toad-shaped vessel shown here was created around 1680 in the Frankfurt faience workshops as a less expensive imitation of the highly sought-after but very expensive Chinese porcelain models from the late Ming period (1368 –1644). At this time, porcelain production was still unknown in Europe. Until porcelain was first produced in Europe in Meissen around 1710, faience was a widespread form of ceramic. Among other things, it differs from porcelain in that it has a dark body and a lower firing temperature.<br class="linefeed" /><br class="linefeed" />The piece came into the museum collection in 1951/52, but its provenance, i.e., its origin and history, still needs to be researched in more detail for the years 1933 to 1935 (when the previous owner acquired it).<br class="linefeed" />,Gefäß aus Fayence in Form einer Kröte, weiß glasiert und blau bemalt
- SimpleSearch2: Europa bis 19.Jahrhundert,12234,Herstellung | Production,ca. 1680,Faience, yellowish body, freely modelled; white glaze; blue in-glaze painting,Wilhelm Hermann Alexander Prince of Dohna-Schlobitten (1899-1997), Grenzach,Copies, Toads, Ornamental patterns, Cross cultural, Blue and White,Kendi,Kendi in Form einer Kröte,Kendi in the shape of a toad,This vessel in the shape of a stylized toad goes back to the <em>kendi</em> (Sanskrit <em>kundi</em>, Malay <em>kendi</em>), a common vessel for drinking water in pre-modern South Asia. As early as the 12th/13th century, such vessels came to China as a result of the flourishing maritime trade. Later, for export to Europe and the so-called “Near East,” the original geometric shape of the drinking bottle was playfully replaced by the body of an animal such as an elephant or a toad.<br class="linefeed" /><br class="linefeed" />The toad-shaped vessel shown here was created around 1680 in the Frankfurt faience workshops as a less expensive imitation of the highly sought-after but very expensive Chinese porcelain models from the late Ming period (1368 –1644). At this time, porcelain production was still unknown in Europe. Until porcelain was first produced in Europe in Meissen around 1710, faience was a widespread form of ceramic. Among other things, it differs from porcelain in that it has a dark body and a lower firing temperature.<br class="linefeed" /><br class="linefeed" />The piece came into the museum collection in 1951/52, but its provenance, i.e., its origin and history, still needs to be researched in more detail for the years 1933 to 1935 (when the previous owner acquired it).<br class="linefeed" />,Gefäß aus Fayence in Form einer Kröte, weiß glasiert und blau bemalt
- InventoryNumber_S: 12234
- InventoryNumber_S_sort: 12234
- InventoryNumberSearch_S: 12234
- AcquisitionDate_S: 31.12.1952
- MainTitle_S: Kendi in the shape of a toad
- MainTitle_S_sort: Kendi in the shape of a toad
- DatingType_S: Herstellung | Production
- Dating_S: ca. 1680
- Dating_S2: ca. 1680
- YearFrom_I: 1670
- YearTo_I: 1690
- DatingComment_S: Primärdatierung (englisch)
- Creditline_S: Museum Angewandte Kunst, Frankfurt am Main
- Systematic_S: Applied Arts in Europe
- Systematic_multi_facet: Applied Arts in Europe
- Systematic_multi_facet_filter: Applied Arts in Europe
- MaterialTechnique_S: Faience, yellowish body, freely modelled; white glaze; blue in-glaze painting
- AcquisitionType_S: Exchange
- AcquisitionFrom_S: Wilhelm Hermann Alexander Prince of Dohna-Schlobitten (1899-1997), Grenzach
- Keywords_S: Copies, Toads, Ornamental patterns, Cross cultural, Blue and White
- Keywords_multi_facet: Copies;;Toads;;Ornamental patterns;;Cross cultural;;Blue and White
- Keywords_multi_facet_filter: Copies;;Toads;;Ornamental patterns;;Cross cultural;;Blue and White
- Materials_multi_facet: Faience;;Glaze
- Materials_multi_facet_filter: Faience;;Glaze
- Techniques_multi_facet: Painting;;Modelling;;Glazing (coating)
- Techniques_multi_facet_filter: Painting;;Modelling;;Glazing (coating)
- lists_s: ObjectNames,Titles,GeographicReferences,Materials,Techniques,Datings,Subjects,Texts,Dimensions,WebLinks,Media
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- ObjectNames_Type_0_S: Obj.bez.
- ObjectNames_Text_0_S: Kendi
- list_Titles_I: 2
- Titles_Type_0_S: Titel
- Titles_Text_0_S: Kendi in Form einer Kröte
- Titles_Text_S_sort: Kendi in Form einer Kröte
- TitleSearch: Kendi in Form einer Kröte,Kendi in the shape of a toad
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- Titles_Text_1_S: Kendi in the shape of a toad
- list_GeographicReferences_I: 1
- GeographicReferences_Type_0_S: Herkunft | Origin
- GeographicReferences_Text_0_S: Europe/Germany/Hesse/Frankfurt am Main
- GeographicReferences_Text_0_multi_facet: Europe;;Germany;;Hesse;;Frankfurt am Main
- GeographicReferences_Text_0_multi_facet_filter: Europe;;Germany;;Hesse;;Frankfurt am Main
- list_Materials_I: 3
- Materials_Type_0_S: Material
- Materials_Text_0_S: Faience
- Materials_Type_1_S: Material
- Materials_Type_2_S: Material
- Materials_Text_2_S: Glaze
- list_Techniques_I: 4
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- Techniques_Text_0_S: Painting
- Techniques_Type_1_S: Technik
- Techniques_Text_1_S: Modelling
- Techniques_Type_2_S: Technik
- Techniques_Type_3_S: Technik
- Techniques_Text_3_S: Glazing (coating)
- list_Datings_I: 0
- list_Subjects_I: 0
- list_Texts_I: 1
- Texts_Type_0_S: Web (englisch)
- Texts_Language_0_S: EN
- Texts_Title_0_S: Sammlung digital
- Texts_LongText_0_S: This vessel in the shape of a stylized toad goes back to the <em>kendi</em> (Sanskrit <em>kundi</em>, Malay <em>kendi</em>), a common vessel for drinking water in pre-modern South Asia. As early as the 12th/13th century, such vessels came to China as a result of the flourishing maritime trade. Later, for export to Europe and the so-called “Near East,” the original geometric shape of the drinking bottle was playfully replaced by the body of an animal such as an elephant or a toad.<br class="linefeed" /><br class="linefeed" />The toad-shaped vessel shown here was created around 1680 in the Frankfurt faience workshops as a less expensive imitation of the highly sought-after but very expensive Chinese porcelain models from the late Ming period (1368 –1644). At this time, porcelain production was still unknown in Europe. Until porcelain was first produced in Europe in Meissen around 1710, faience was a widespread form of ceramic. Among other things, it differs from porcelain in that it has a dark body and a lower firing temperature.<br class="linefeed" /><br class="linefeed" />The piece came into the museum collection in 1951/52, but its provenance, i.e., its origin and history, still needs to be researched in more detail for the years 1933 to 1935 (when the previous owner acquired it).<br class="linefeed" />
- list_Dimensions_I: 1
- Dimensions_Type_0_S: Objektmaß | Overall
- Dimensions_Dimension_0_S: 19,5 x 13 x 18,5
- list_WebLinks_I: 0
- list_Media_I: 1
- Media_Key_0_s: 7a6c98b8-0a2b-4602-9fcc-b6bd0c6e1f1b
- Media_Type_0_S: Bild
- Media_AltText_0_S: Gefäß aus Fayence in Form einer Kröte, weiß glasiert und blau bemalt
- Media_Rightsholder_0_S: Museum Angewandte Kunst
- Media_Credits_0_S: Foto: Rainer Drexel © Museum Angewandte Kunst
- Media_Comments_0_S: CC BY-NC-SA 4.0
- _version_: 1817413102133575700
- lists: [object Object]